Swythyv ([info]swythyv) wrote in [info]hp_essays,

Mourning Blunder: The Real Imposter

The only one of my earlier essays that I felt was shredded in all respects after finishing with the Kings Invisible to See series was the only essay that most people will ever see: Mourning For Her Own True Love.


During Kings Invisible to See, I realized that the dementors were being used as enforcement against the werewolves - certainly after Flamel was dead, after CoS. Thus Lupin was motivated to take the cursed DADA job, and later to lay low with Sirius at 12GP: a place where searching dementors clearly could not follow. But in HBP, Lupin's mission to the unaligned werewolves required that he spend transformation nights with them - and therefore with the dementors. It was this dementor-generated fear, doubt and despair that caused the change in him: his increased shabbiness, his abandonment of (his fiance?) Tonks, and his poor attitude toward maintaining Dumbledore's party line with Harry.

Professor Mum iced the cake with an absolutely brilliant inspiration, which she unfortunately said she would not have time to write up. Here it is, by permission:

That was not Tonks on the train or in the halls: that was Lupin, polyjuiced.

He had ample opportunity to stash some of her hairs, and he wanted to guard Harry on the train and also to report to Dumbledore at Hogwarts. He could not do either of these things freely during HBP. With Fenrir Greyback on the rampage, Lupin's presence among schoolchildren would have sparked a riot.

Professor Mum has a most shrewd ear for dialog and sure enough, as soon as you're looking for it, "Tonk's" short remarks to Harry on the train sound exactly like Lupin. Moreover, Snape's inexplicably harsh and personal verbal attack on "Tonks" is precisely how he deals with Lupin - even up to criticizing the "altered" Patronus as being weaker - than either Lupin's best or the real Tonks'. I'd already surmised that Lupin's Patronus would be a were/wolf, and I'll be darned if that wasn't what we saw.

Lupin also had no secure method of reporting to Dumbledore, if his Patronus continued to deteriorate from contact with the dementors. Hence he sneaked into the castle as "Tonks" in the hallway scene. Once again, Professor Mum's ear heard Lupin: asking despondently whether Harry had heard of anyone being harmed, as he was distraught from witnessing the killing of the little boy by the werewolves and there to report it.

Thus rather than being impersonated, that was Lupin himself that we saw sinking into a destructive funk, showcasing the effect of dementor bourne doubt, despair and fear. This culminated in the infirmary where he bitterly launched the Dumbledore Was A Fool Chorus and repudiated Love in the name of Fear.

I suspect that Remus Lupin is going to furnish an object lesson - he may have to rise to loving sacrifice - to illustrate the love vs. fear theme that JKR has been working. The fact that he and Tonks turn up holding hands (and her hair pink) at the funeral bodes well that he will be up for this. :D

And what with Peter paying off his life debt, it's looking like a clean sweep of the Marauders. ;D

Mourning For Her Own True Love, part of the Intermission Music series, was posted here last year. Kings Invisible to See is here, while links to everything have been archived into Banana Peels of the Imagination.

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  • 8 comments

[info]auroraceleste

July 14 2007, 14:44:27 UTC 4 years ago

Can you link to a few of the things you've mentioned, like Kings Invisible to See, or Professor Mum's comment, for those of us not following along?

[info]swythyv

July 14 2007, 15:34:38 UTC 4 years ago

Oh I beg your pardon, sorry for that moment'o'total vacancy. I've edited to add relevant links. Thanks for waking me up. ;D

[info]auroraceleste

July 14 2007, 15:38:10 UTC 4 years ago

Not a problem, I found it interesting, just a little confusing, so thanks for clearing things up :D

[info]professor_mum

July 14 2007, 17:22:45 UTC 4 years ago

I just finished my last re-read of HBP the other day, and I tried to picture the Tonks/Lupin switch not being true. And the canon does support it as being exactly what we thought was saw: lover anxiety and crossed wires. Fine.

But then yesterday, I read some quote attributed to Jo in a documentary along the lines of: Some people are going to just hate this book (DH). So, it gave me fresh hope that she has pulled a few role switcheroos (Lupin/Tonks, and Snape/DD, and who-knows-who-else). So we saw OOtP yesterday (loved it) and I really laughed during the Hermione/Grawp scene when she, non-cannonicly (sp?), pointed a finger at him and said with great authority: put me down! Hermione is sometimes used as the "voice of Jo".

Well, it must have been quietly working in my subconscious, as this morning I woke up with this particular exchange ringing in my head from HBP:

"Well it was just that I was sort of right about this Half-Blood Prince business", she said tentatively.

"Do you have to rub it in Hermione? How do you think I feel about it now?"

"No-no, Harry, I didn't mean that" she said hastily, looking around to see that they were not overheard. "It's just that I was right about Eileen Prince owning the book. You see --- she was Snape's mother".


So Hermione was right that the orignal Prince was a female. She acurately intuited that there was a mixture of masculine and feminine roles in play. That Snape might have seen through Tonks/Lupin's disguise at the Hogwart's gates and called Lupin's werewolf patronus "weak" is of note (he finds it demeaning is the subtext). Parents would surely not want a Werewolf patrolling the halls of Hogwarts at any point in the lunar cycle, not even with Voldemort on the loose. Lupin's role swap with Tonks would allow him to keep a closer eye on Harry. This comes right after Harry has lost his godfather, so maybe Lupin feels the need to step up. Lupin's main role in HBP seems to be keeping a close watch on Fenrir, and that must be very unrewarding and wearing. It's oppressive, and while he resists Tonks, she is far away when he is underground in a phoney role as a rabid werewolf.

I remain hopeful that this is specific the Dororthy L. Sayers romance red herring that Jo referenced in the past.

[info]spamwarrior

July 14 2007, 17:51:15 UTC 4 years ago

I'll be interested to see what role switches come about, but who is the DD of Snape/DD?

[info]professor_mum

July 14 2007, 20:50:09 UTC 4 years ago

Dumbledore. Below a guerila theory:

http://professor-mum.livejournal.com/5922.html

[info]slythwolf

July 15 2007, 04:31:15 UTC 4 years ago

I like this. I like this a whole lot and would be completely unsurprised if it turned out to be the case.

How long have we heard fandom crying "She doesn't act like Tonks anymore!" Well, it's true.

Interestingly we also see in the same book Crabbe and Goyle polyjuiced, also as people of the female persuasion, also much younger than themselves. Also wandering the hallways, and also (IIRC) utterly without Harry suspecting that they're who they really are. Hint? See It Once, See It Again? Hmm.

[info]swythyv

July 16 2007, 19:34:49 UTC 4 years ago

I like it a lot better, too. It not only makes more sense of Snape's (and Lupin's) reactions, it eliminates the difficulties of long-term impersonation. And as you point out, all the little skittles just keep falling into place. ;D

Plus, if JKR is bearing down on a major fear vs. love thematic resolution, it becomes an actual contributing illustration instead of inexplicable random noise.

Thanks! Tick, tick tick... :D
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